BraxiVerb

Ups have the ability to hold the electrical current/frequency/
voltage at the proper level, regardless of power source failure
or surge. the built in battery carrys upwards from about five
minutes of power to longer depending on the dollars spent.
(This is when all source power is gone...usually enough time
to save material and exit windows properly.) the limits of each
ups is on how much wattage you draw from the unit...a standard
unit will be from 300 to 450 watts. computers and periperals
draw from 200 to 300 watts. stand alone units such as rack
effects, etc. will draw on average 30 watts apiece. a good price
on a standard ups runs around 60 - 75 doolars. analog equiptment
generally dont desire upss, digital quips may request such feed
depending on their inherent AI...

What do you want to know about such quips?

Soleo International Data is being sent forthwith and following./..

(Rough Draft... Section Soleo Flaw)

Soleo International Invective

An experimental denunciation of music, art, and bread making which could be
disliked and/or stood under neath by every single observer, as a note of
reference-reaction, in context to that or those observer(s)' system of
values and view of points or views of point... to structurally challenge
peoples' sense of structure and systematic way of thinking. Rather than
using the prosethelette by introducing a new value or an aesthetically
pleasing service... impute the particular way of thinking and sensing about
generalities and methods of categorization.

Imagine if you were to plan your thinking out over a period of a week or a
month, not in detail, but in the direction or gist of your thinking. The
obstacles involved are enormous... the deeper the detailing you do and the
more that the content is unusual to your regular ideas. People, generally,
have a habitual system
or program of thinking which they have unconsciously adopted.

Cosmetic structures of popular and classical bread, music, and egg
sandwiches can be misleading, claiming to be the anectode and antimony to
life, while allowing for no discrepancies. Allowing for such cacophony
creates an environment where roots and growths can be predicted and
observed.

Mr. Braxi mentioned as such, "F-sun-gee-bull-aw-bull-ja sancius ee ir liny
facet Quinhagak, sum ee. En irenic invective din ee forensic lark ir
eduveigle efficacious substandard ee television demanufacturing."

[Approx. Translation: It is multi-faceted and therefore reminds me of
Quinhagak on occasion. It is an impartial, nonpartisan, and abrupt
cacaphonic antic of demonstrating to the public, or recipient, a practical
disheveled method to clout and disjoin the cosmetic facade of
communications.]

An Introduction to Advanced Disembedment

According to a generation of reflection and the means to do so
a flurry of images each begging admittance will win by the power
of numbers a law of averages. if impossibility does not exist in
the area, the percentages are an exact occurance when youre talking
about underlying energies of the psyche. if 7 areas of idea have
7 possible interpretations (if the tastes that you sense are too
similar to each other) there will be 3 occurances (substitute what
numbers you will) because the statistics whether pro or con all
happen within the same psyche. unless there is a continuous
flow of force the external whims will embed themselves now or later,
accumulatively it is an enormous embedment,...
...it would require 100% in all similitudes to exact freedom.

The embedment process describes a meeting of energy and the matters
of organism. a pressure is exerted, a weight, cells or cellular
substances are rearranged in spatial ways, their nearness or farness
from pertinent tissues, organs, and glands will cause changes in the
organism at large. Isolated structures will die or mutate into
foreign articles and cancers. pressure is not alone, images are
always accompanied by layers of injestment. adding an injestment
starts with the sip leading to the swallow. hungers develop and
satiation strengthens. the new system hungers as do all systems.
sustenance becomes more of the pressure, more embedment.

Where then is the possibility of disembedment? if you were to
create an area of pre-embedment where all the natural possibilities
actualize themselves only without a connection with the larger
organism, there you will find a possibility. the trick would be
to not inhale during the circumstance, or rather time your
pre-embedment with exhalation, the sigh without sadness. Breathe
around the situation. Take your breath from where the impressions
of air are not imprintable.

the flurry of images and weighted imagine patterns have distinct
flavor. the (media)tion of a few to the many, the attempts of
the imprinted to bring an image near is only a facade of the
developed shout. across distance in a clear way. behind there
lies the heaviness of eye silence where light itself becomes
blinding and harmful, rather than illuminating.

Utilizing the inherent processeses of blending, occurring according
to vicinity and amplitude, certain vacuous inherencies within the
psyche will absorb independently of the intention. Also, certain
reactions to unintentional absorbancy will feed the blending,
developing amplitude in the original 'signals', causing greater
infection. By creating intentional vacuums internally the 'signals'
will have no place to blend, or, by blending, will transform in the
focus direction. Psycho-magnetics and psycho-gravital orbiting,
play a large part in repelling and attracting 'particles' of influence.
Disembedment will be followed by Dispatchment and Invisibility...
the images pass through, observed, but transformed. The denser the
material, the more embedments or absorbancy and the less light passes.
(See Soleo Math, Timing, Freefall, and Tense - Section TBD)

An Introduction to Soleo

To use grammer, language, and communication methods in ways not
organized by the standardizers. the standardizers have set out to
perfect a code of communication, where the listener will be able to
understand the message. their system is based on the flawed elements
of imprintation and embedment. To use symbological means in fresh
context, combinations, and coding leaves a fluidic effect which is
closer to synchronization with the constant moving nature of events
and actualities.

Intentional Flaws can be generated to produce results which
characterize flucuations in the overall spectrum. Tonal flaws which
are perpetuated by embedment will carry denser 'flaw weight', as
opposed to non-linear flaws born of residual intentional purposes.

A crude joke told in the manner of and by deeply embedded individuals, whose
characteristics imply or demonstrate cardinal line-crossing, can be heard as
dense facades, carrying menace and dark temperament, contrary to the
impressions given by the same joke related by a more friendly individual.
Comparatively, the same differences can be observed in the notion of 'Tonal
Flaw'.

Soleo can be personified in the realms of human expression or the
human personification itself. This Soleo individual distinctifies the
gravitational effects of where the 'bed' or beds of I-ness situates.
The symbolical communications between individuals and within an
individual retains a likeness to I-clothing. The more naked is the I
when the symbols become more fluid. The individual who realizes, even
while clothed, their inherent nakedness and values it more than their
clothing, will not be caught in the snags of 'Tonal Flaws' and other
personality blendings. The 'dense flaw blenderers' whose clothing
and packaging is more important, become denser still and rigorously
become stark embedments of all events and places which occur to them.

Soleo can bend and fold clothing without grimace, while retaining
grace (defined as the fluidity of motion) and the sum greater than the
whole of its parts. When applied to human expression from the
gravity of bare simplicity of naked self, the forms, such as music,
writing, wall paper, or city clerk become rightfully attractive to
near vicinity comers. This sexiness builds tension in the loins of
society and is not appreciated by the, nevertheless, sidelined
majority, who wait the freshness out until it becomes stale and even
dead before feasting, like the jackels they are, insecure in their
preservative cloth I's, sexually inhibited and victims of 'Tension
Flaws'. Soleo is freedom of Tone Flaw.

'Rhythym Flaws' concerning time and timing occur in the realm of
proximity and speed. A tone which is sounded in an area with a
continuous stream pulse (where the producing force is steady)
will blend with harmonics according to the emptiness or completeness
of the area. As the tone travels further away from its source
it decays and dies, unless it is specially reinforced at a certain
interval. Each tone can be broken down into cycles or wavelength
(depending on the steadiness of the producing force). Higher tones
have a faster cycle, lower tones have slower cycles. When a flaw,
relative to the sounding area, is introduced into either the source or
the field of effect, the changes in harmonics will ripple toward a
new direction. If the previous tonal qualities were sounding in
sticky material then the past will remain, interfering with the new.
This embedment will impede the flexability of pure signals. On the
other hand, if the intentional flaws introduced take these
characteristics into account it can produce harmonies and roses for
the dying. By producing tones in conjunction with certain qualities of
rhythym the results will combine only specially planned blendings.

There comes a moment when a tone must pause to rejuvenate itself
periodically. Fill then empty. The heart fills with blood then
empties. The stomach fills with food then empties. The lungs
fill with air then exhale. The head fills with ideas then plans.
On a larger scale the rhythyms are observable. This is time.
Life begins anew each breath, each cycle. The larger the scale,
the longer the cycle, the greater the circumference of concentric
cycles. The past continually occurs as embedments within each
part of a cycle unless transformed by disimprintation. Soleo
changes and frees the past from the present. The past will
control the future until it is freed by Soleo. Soleo is freedom
of rhythym Flaw.

Soleo is a subjective means to direct the future. The future exists
now, but outside the body. Each part of the body is at its own
particular distance from the future. The eyes see further into the
future then does the hands feel. Everything the senses perceive have
already occurred on a larger scale. These occurrances have already
sounded in the vicinity and depending on the recepting sense are
decaying relative to how soon the senses receive the notion of their
occurrance. The bodies future is already the objective past. The tones
which an individual generates become the past for a recipient. An
individual who is embedded in generous helpings of the past will only serve
to amplify the tones of others who are less embedded, because the
characteristics of denser objects is to reflect, echo, and imitate.
Imitators are embedded in their own past as well as the past of their
environment. Knowing when something actually occurred rather than taking
the emanations for the actuality, provides the crucial element of timing and
rhythym, where the actions taken are not early or late, thus, the
intentions, well placed, produce desired results. Freedom from the
subjective past is Soleo.

Soleo is Objective Flaw. Objective Events Intentionally fr

[Incomplete As Is]

Ups have the ability to hold the electrical current/frequency/
voltage at the proper level, regardless of power source failure
or surge. the built in battery carrys upwards from about five
minutes of power to longer depending on the dollars spent.
(This is when all source power is gone...usually enough time
to save material and exit windows properly.) the limits of each
ups is on how much wattage you draw from the unit...a standard
unit will be from 300 to 450 watts. computers and periperals
draw from 200 to 300 watts. stand alone units such as rack
effects, etc. will draw on average 30 watts apiece. a good price
on a standard ups runs around 60 - 75 doolars. analog equiptment
generally dont desire upss, digital quips may request such feed
depending on their inherent AI...

What do you want to know about such quips?

Soleo International Data is being sent forthwith and following./..

(Rough Draft... Section Soleo Flaw)

Soleo International Invective

An experimental denunciation of music, art, and bread making which could be
disliked and/or stood under neath by every single observer, as a note of
reference-reaction, in context to that or those observer(s)' system of
values and view of points or views of point... to structurally challenge
peoples' sense of structure and systematic way of thinking. Rather than
using the prosethelette by introducing a new value or an aesthetically
pleasing service... impute the particular way of thinking and sensing about
generalities and methods of categorization.

Imagine if you were to plan your thinking out over a period of a week or a
month, not in detail, but in the direction or gist of your thinking. The
obstacles involved are enormous... the deeper the detailing you do and the
more that the content is unusual to your regular ideas. People, generally,
have a habitual system
or program of thinking which they have unconsciously adopted.

Cosmetic structures of popular and classical bread, music, and egg
sandwiches can be misleading, claiming to be the anectode and antimony to
life, while allowing for no discrepancies. Allowing for such cacophony
creates an environment where roots and growths can be predicted and
observed.

Mr. Braxi mentioned as such, "F-sun-gee-bull-aw-bull-ja sancius ee ir liny
facet Quinhagak, sum ee. En irenic invective din ee forensic lark ir
eduveigle efficacious substandard ee television demanufacturing."

[Approx. Translation: It is multi-faceted and therefore reminds me of
Quinhagak on occasion. It is an impartial, nonpartisan, and abrupt
cacaphonic antic of demonstrating to the public, or recipient, a practical
disheveled method to clout and disjoin the cosmetic facade of
communications.]

An Introduction to Advanced Disembedment

According to a generation of reflection and the means to do so
a flurry of images each begging admittance will win by the power
of numbers a law of averages. if impossibility does not exist in
the area, the percentages are an exact occurance when youre talking
about underlying energies of the psyche. if 7 areas of idea have
7 possible interpretations (if the tastes that you sense are too
similar to each other) there will be 3 occurances (substitute what
numbers you will) because the statistics whether pro or con all
happen within the same psyche. unless there is a continuous
flow of force the external whims will embed themselves now or later,
accumulatively it is an enormous embedment,...
...it would require 100% in all similitudes to exact freedom.

The embedment process describes a meeting of energy and the matters
of organism. a pressure is exerted, a weight, cells or cellular
substances are rearranged in spatial ways, their nearness or farness
from pertinent tissues, organs, and glands will cause changes in the
organism at large. Isolated structures will die or mutate into
foreign articles and cancers. pressure is not alone, images are
always accompanied by layers of injestment. adding an injestment
starts with the sip leading to the swallow. hungers develop and
satiation strengthens. the new system hungers as do all systems.
sustenance becomes more of the pressure, more embedment.

Where then is the possibility of disembedment? if you were to
create an area of pre-embedment where all the natural possibilities
actualize themselves only without a connection with the larger
organism, there you will find a possibility. the trick would be
to not inhale during the circumstance, or rather time your
pre-embedment with exhalation, the sigh without sadness. Breathe
around the situation. Take your breath from where the impressions
of air are not imprintable.

the flurry of images and weighted imagine patterns have distinct
flavor. the (media)tion of a few to the many, the attempts of
the imprinted to bring an image near is only a facade of the
developed shout. across distance in a clear way. behind there
lies the heaviness of eye silence where light itself becomes
blinding and harmful, rather than illuminating.

Utilizing the inherent processeses of blending, occurring according
to vicinity and amplitude, certain vacuous inherencies within the
psyche will absorb independently of the intention. Also, certain
reactions to unintentional absorbancy will feed the blending,
developing amplitude in the original 'signals', causing greater
infection. By creating intentional vacuums internally the 'signals'
will have no place to blend, or, by blending, will transform in the
focus direction. Psycho-magnetics and psycho-gravital orbiting,
play a large part in repelling and attracting 'particles' of influence.
Disembedment will be followed by Dispatchment and Invisibility...
the images pass through, observed, but transformed. The denser the
material, the more embedments or absorbancy and the less light passes.
(See Soleo Math, Timing, Freefall, and Tense - Section TBD)

An Introduction to Soleo

To use grammer, language, and communication methods in ways not
organized by the standardizers. the standardizers have set out to
perfect a code of communication, where the listener will be able to
understand the message. their system is based on the flawed elements
of imprintation and embedment. To use symbological means in fresh
context, combinations, and coding leaves a fluidic effect which is
closer to synchronization with the constant moving nature of events
and actualities.

Intentional Flaws can be generated to produce results which
characterize flucuations in the overall spectrum. Tonal flaws which
are perpetuated by embedment will carry denser 'flaw weight', as
opposed to non-linear flaws born of residual intentional purposes.

A crude joke told in the manner of and by deeply embedded individuals, whose
characteristics imply or demonstrate cardinal line-crossing, can be heard as
dense facades, carrying menace and dark temperament, contrary to the
impressions given by the same joke related by a more friendly individual.
Comparatively, the same differences can be observed in the notion of 'Tonal
Flaw'.

Soleo can be personified in the realms of human expression or the
human personification itself. This Soleo individual distinctifies the
gravitational effects of where the 'bed' or beds of I-ness situates.
The symbolical communications between individuals and within an
individual retains a likeness to I-clothing. The more naked is the I
when the symbols become more fluid. The individual who realizes, even
while clothed, their inherent nakedness and values it more than their
clothing, will not be caught in the snags of 'Tonal Flaws' and other
personality blendings. The 'dense flaw blenderers' whose clothing
and packaging is more important, become denser still and rigorously
become stark embedments of all events and places which occur to them.

Soleo can bend and fold clothing without grimace, while retaining
grace (defined as the fluidity of motion) and the sum greater than the
whole of its parts. When applied to human expression from the
gravity of bare simplicity of naked self, the forms, such as music,
writing, wall paper, or city clerk become rightfully attractive to
near vicinity comers. This sexiness builds tension in the loins of
society and is not appreciated by the, nevertheless, sidelined
majority, who wait the freshness out until it becomes stale and even
dead before feasting, like the jackels they are, insecure in their
preservative cloth I's, sexually inhibited and victims of 'Tension
Flaws'. Soleo is freedom of Tone Flaw.

'Rhythym Flaws' concerning time and timing occur in the realm of
proximity and speed. A tone which is sounded in an area with a
continuous stream pulse (where the producing force is steady)
will blend with harmonics according to the emptiness or completeness
of the area. As the tone travels further away from its source
it decays and dies, unless it is specially reinforced at a certain
interval. Each tone can be broken down into cycles or wavelength
(depending on the steadiness of the producing force). Higher tones
have a faster cycle, lower tones have slower cycles. When a flaw,
relative to the sounding area, is introduced into either the source or
the field of effect, the changes in harmonics will ripple toward a
new direction. If the previous tonal qualities were sounding in
sticky material then the past will remain, interfering with the new.
This embedment will impede the flexability of pure signals. On the
other hand, if the intentional flaws introduced take these
characteristics into account it can produce harmonies and roses for
the dying. By producing tones in conjunction with certain qualities of
rhythym the results will combine only specially planned blendings.

There comes a moment when a tone must pause to rejuvenate itself
periodically. Fill then empty. The heart fills with blood then
empties. The stomach fills with food then empties. The lungs
fill with air then exhale. The head fills with ideas then plans.
On a larger scale the rhythyms are observable. This is time.
Life begins anew each breath, each cycle. The larger the scale,
the longer the cycle, the greater the circumference of concentric
cycles. The past continually occurs as embedments within each
part of a cycle unless transformed by disimprintation. Soleo
changes and frees the past from the present. The past will
control the future until it is freed by Soleo. Soleo is freedom
of rhythym Flaw.

Soleo is a subjective means to direct the future. The future exists
now, but outside the body. Each part of the body is at its own
particular distance from the future. The eyes see further into the
future then does the hands feel. Everything the senses perceive have
already occurred on a larger scale. These occurrances have already
sounded in the vicinity and depending on the recepting sense are
decaying relative to how soon the senses receive the notion of their
occurrance. The bodies future is already the objective past. The tones
which an individual generates become the past for a recipient. An
individual who is embedded in generous helpings of the past will only serve
to amplify the tones of others who are less embedded, because the
characteristics of denser objects is to reflect, echo, and imitate.
Imitators are embedded in their own past as well as the past of their
environment. Knowing when something actually occurred rather than taking
the emanations for the actuality, provides the crucial element of timing and
rhythym, where the actions taken are not early or late, thus, the
intentions, well placed, produce desired results. Freedom from the
subjective past is Soleo.

Soleo is Objective Flaw. Objective Events Intentionally fr

[Incomplete As Is]